There’s
magic
and
method
in
Madhuri
Dixit’s
moves.
Watching
the
dancing
queen
groove
is
such
a
satisfying
experience
that
even
a
bad
movie
cannot
come
in
its
way.
The
Ek
Do
Teen
actress
can
dance
a
storm,
alright.
Throw
in
another
talented
dancer
trying
to
match
Madhuri’s
electric
energy
and
the
upshot
is
pure
spectacle.
Madhuri
and
Vidya
Balan’s
dance
duel
to
Ami
Je
Tomar,
a
mish-mash
of
Kathak,
Bharata
Natyam
and
Odissi,
is
already
grabbing
eyeballs
ahead
of
their
upcoming
Diwali
release,
Bhool
Bhulaiyaa
3.
One’s
smooth,
skilled
artistry
and
another’s
attractive,
intense,
manner
makes
for
dazzling
synergy.
Sukanya
Verma
looks
at
many
instances
of
Madhuri’s
glitziest
dance-offs.
Ghagra
from
Yeh
Jawaani
Hai
Deewani
Responding
to
a
much
younger
Ranbir
Kapoor’s
flirtations
with
her
trademark
adas
and
oomph,
Madhuri’s
sexy
banter
while
gyrating
in
a
flashy
ghagra
is
back
and
forth
at
its
sultriest.
Dola
Re
from
Devdas
Sanjay
Leela
Bhansali’s
opulent
adaptation
of
Sarat
Chandra
Chattopadhyay’s
novel
takes
the
liberty
to
pit
Paro
and
Chandramukhi
over
a
magnificent
dance
feast.
But
Madhuri
and
Aishwarya
Rai’s
fiery
footwork
and
expression
extravaganza
ensures
we
have
nothing
to
complain.
Que
Sera
Sera
from
Pukar
Everyone
was
curious
to
see
how
Madhuri’s
classical
grace
would
fare
against
Prabhudeva’s
extraordinary
elasticity.
Que
Sera
Sera‘s
thrilling
jugalbandi
lives
up
to
the
hype
and
how.
Dance
of
Envy
from
Dil
To
Pagal
Hai
Yash
Chopra’s
Dil
To
Pagal
Hai
is
as
much
about
art
as
it
is
about
romance.
And
Madhuri
is
more
than
happy
to
lap
up
the
tailor-made
role
of
a
dance
lover
exploring
the
medium
in
a
spontaneous
challenge
thrown
by
Karisma
Kapoor’s
jealous
driven
prima
ballerina.
De
De
Dil
from
100
Days
Remember
the
time
Madhuri
set
the
stage
on
fire
alongside
Bollywood’s
breakdancing
expert
Javed
Jafferi
in
100
Days?
Terrific
dancers,
both,
the
duo’s
enthusiasm
and
expertise
plays
off
each
other
in
complete
harmony.
Dum
Dumma
Dum
from
Dil
Aamir
Khan
and
Madhuri
as
campus
brats
engaged
in
an
ugly
battle
of
the
sexes
that
extends
to
a
hip-shaking
dance
challenge
is
peak
trashy
Bollywood
masala
of
the
1980s
and
1990s.
Gajar
Ne
Kiya
Hai
Ishara
from
Tridev
Madhuri
Dixit’s
trained
classical
dancer
shows
off
her
prowess
while
shaking
a
leg
with
glam
girls
Sangeeta
Bijlani
and
Sonam
Kapoor
as
part
of
Tridev‘s
ultimate
dance
off
from
inside
the
villain’s
den
in
anticipation
of
the
heroic
rescue.
Bekhabar
Bewafa
from
Ram
Lakhan
Subhash
Ghai’s
brand
of
showmanship
builds
a
scenario
of
east
versus
west
wherein
Madhuri’s
ghagra
choli
clad
heroine
represents
all
things
demure
and
desi
while
Sonika
Gill’s
green-eyed,
red
hot
gangster’s
moll
is
a
picture
of
daring
and
danger.
Clashing
over
both
man
(Anil
Kapoor)
and
moves,
their
fuming
force
makes
for
quite
a
unique
sight.
Tamma
Tamma
Loge
from
Thanedaar
Trust
Madhuri
to
make
Sanjay
Dutt’s
two
left
feet
presence
also
look
like
a
vibe.
In
Tamma
Tamma,
her
livewire
moves
and
his
sincere
efforts
to
catch
up
make
for
a
dance
off
between
flawed
and
flawless.